The slender story is sometimes lost in the strange brew of myth, fact and modernism, but British author Winterson's assured proseparticularly her stunning evocations of a glacial Russia and a decadent nighttime Venicedoes much to unify her unsettling tale. I posit that characters in the novel exhibit features outside the accepted notions of gender and hence gender is not a natural essence of body but a cultural construct, a camouflage to control the. Passiondescribed by the manipulative Villanelle as ""somewhere between fear and sex''leads Henri on a desperate quest away from his beliefs and into an emotional labyrinth from which he may be unable to return. The present paper aims at analyzing Jeanette Winterson’s novel The Passion (1987) with Judith Butler’s theory of Gender Performativity. Disillusioned and longing to escape a desolate posting in the Russian winter, the young man meets and falls in love with Villanelle, a mysterious Venetian hoping to retrieve her own heart, which has literally been stolen and imprisoned by a noblewoman she once loved. Henri is a naive French soldier who works in Bonaparte's kitchen and worships the conqueror until his starving and diseased army begins to crumble. This arresting, elegant novel by the author of Oranges Are Not the Only Fruit uses Napoleon's Europe as the setting for a tantalizing surrealistic romance between an observer of history and a creature of fantasy. Summary Chapter Summaries & Analyses Part 1 Part 2 Part 3 Part 4 Character Analysis Themes Symbols & Motifs Important Quotes Essay Topics The Passion Part 3 Summary & Analysis Part 3 Summary: Pages 77-93 In Part 3, The Zero Winter, Napoleon’s war gets worse, Henri loses an eye, and soldiers begin to desert.
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